Pathos in politics is only tolerable for voters when you have the power to realize your moral degenerations and personal ambitions. This is not something that can be said of Feijóo, who in every act and symbolic recreation does nothing more than perform a demonstration of helplessness that forces him to look away because he feels a shame that the protagonist is not capable of feeling. Appearing with a decoration that simulates being in La Moncloa is one of those acts that, rather than reflecting an institutionality, show a series of complexes that should be treated by specialists rather than analysts.
Alberto Núñez Feijóo, surrounded by the party barons, with a lectern in the palace of the Dukes of Pastrana, and showing a small theater in which he plays the president of the government, inevitably takes us back to a medieval operetta of our history that emerged with the intention of overthrowing a leader in a conspiracy of nobles and aristocrats. Feijóo, without knowing it, because he never knows anything, remembered the Farce of Ávila.
