Antonio Molero: “In Madrid, as I think Napoleon said, there is a step from the sublime to the grotesque”

Antonio Molero is one of the great faces of the performing arts. It is part of a way of understanding theater, television, which, far from being silent, is active. The whole world knows him for his role as Fiti, “especially” the mechanic “Senechista” of “Los Serrano”. He is currently playing at Le Figaro “A global therapy” where, among yeasts, the secret of happiness; if it exists. In your case, happiness is your job. Molero is from Toledo, from Ajofrín, passing through Alcalá de Henares, which already gives him a cachet to travel around the world. He knows the city, he knows the theater, and that is why Molero sees himself so close to two essential characters and the stage: Valle-Inclán and Lope de Vega, who together, at different times, created the city as it is. This urban framework that, quoting Napoleon Bonaparte from memory, has the particularity that the sublime and the grotesque go hand in hand. In short, Madrid has not changed much since the grotesque valleinclanesque became another part of the city’s clothing. This same city is a school of learning. He is not discouraged when he reveals that Fiti is a creation of the Madrid street observer, because the street is a school on the human being. And in the streets, above all, the bars, which have replaced the comedy corrals and the mentideros Standard Related News Yes Alberto Urdiales: “The public that came to Madrid to see the Games would fall in love with the city” Jesús Nieto Jurado confesses that The capital, in 38 years, has become one of the best cities in the world. Antonio Molero asks the city for “more green spaces”; more spaces where family and children can meet. It is something that Madrid is “crying out for”. The fame, the one he acquired studying at Resad and playing unforgettable characters in the Spanish family comedy, he carries it with the calm with which it should be carried. He knows that after a job that could have been interesting, the manager will question him. And that has already happened since his golden age. The worst thing about his job is that work prevents him from being the consumer of culture that he would like to be: from Tuesday to Sunday, he is on stage, and the actor needs rest, and if it is not a biblical commandment, it should be.madrid_dia_0703—You will ask him about his work. Or I will ask him. Does Madrid lack massages, therapies? What Madrid needs is to humanize it. He is crying out for it. More green spaces, more pleasant places to meet with children, with family. — For a “bolo”, that is, for a professional Toledo, what was Madrid? — Well, it was the same, but with cars in Huertas. With more insecurity. It was like today, less pedestrian and more dangerous. — His first visit to the region was through Alcalá de Henares… — And he came to Madrid to do much more tourism than today, in museums. — One of your favorite characters, Fiti, from “Los Serrano”, was a bit of the quintessence of Madrid. How do you remember him? — Of course Fiti exists. And of course, he is very Madrid. I have a friend who speaks the same way. To act, I am inspired by things close to me; I do not work on the abstract, quite the contrary. Who does not have a friend who is not a mechanic? — We are at the theater. In a neighborhood that is the cradle of theater. Is drama being sold wisely in Madrid? I think it could welcome many more people. There is spectacle, it works, and the public is curious. We are starting our third season and we know that every date with the theater is a triumph for the city. —Before, that was not the case…—No, not before. There was no rush to come to the theater. —He was part of the ‘Tenorio’. Whether Zorrilla sets the play in Seville matters little to us for the next question. Are there “donjuanes” in Madrid? —Of course, Don Juan is universal. And of course, in Madrid, there are those kinds of “skulls” that go from flower to flower. —The tragic, the comic… We must give this city a name.—Madrid is grotesque in the manner of Valle-Inclán. As I think Napoleon said, here, from the sublime to the pathetic, there is a step. —I do not know how cultural consumption evolves. Come on, if the weather permits… Well, it’s much rarer than it should be. From Wednesday to Sunday, I’m at the theater MORE INFORMATION news Yes Nick Casey: “When an American came to Spain, he went to Barcelona. That changed” reports Si Roberto Brasero: “The climate in Madrid is not tyrannical, it is not capable of chiseling character”—He referred, by chance, to a type of Madrilenian. The skull, the crook, who also understands theater. Is this man a good critic or does he just talk to talk? — In Madrid, you often live on the street. And that’s where things happen. Without the street, you can’t be a good scriptwriter. And Madrid gives a lot for that: the bars are fundamental cultural centers. Before the corralas. And it works very well. — Why are you in Madrid from the theater? — For Valle-Inclán, who is a fundamental figure who represented Madrid like no one else. For Lopé de Vega. For all of them, who lived just four steps away.

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