Antoine Reinartz warns: it is not concise. In fact, the hour dedicated to this aperitif could have been prolonged beyond reason, since the actor likes to take secondary roads to tell what took him from his native countryside to the bar on the rue des Martyrs where he finds us. He’s at home, saying hello to the night crew, whom he knows best, and trusting that the bistro kitchen will save the day on days when there’s nothing left in the fridge. What increasingly happens to this young 39-year-old father, especially since his role as a stingy prosecutor in Anatomy of a fall.Palme d’Or in Cannes in 2023.
At the same time he was a lawyer in tapieon Netflix, and, one thing led to another, the public became familiar with the youthful face and warm timbre of this ultra-technical actor whose affability hides the nervousness of someone who knows he is at a turning point in his career. Sugar addiction forces him and he asks for strawberry milk.
Barely wet As it pours rain outside, it is pointed out to him that he is well dressed, a way of passing on Robinson, his character in the series. the house (on Apple TV+), turbulent heir to a fashion house in the midst of economic and artistic turmoil. He smiles, a little flattered, but admits to having had a distant relationship with fashion for a long time. “When I was young I thought you had to have everything in mind, nothing in appearance. In the end, it’s not very healthy… We still have a body wrap. Feeling good, in seduction, is also important, even if you are in pajamas or sportswear on the street every other day. »
Working on the body continues to be a project in progress for this actor placed, from the beginning, in an intellectual box. “There was no seduction in meseries. Today I want to be Marion Cotillard’s boyfriend on screen and have people believe it. » Despite the great differences in hair (ball in zero in Justine Triet, filled locks tapie) and the yo-yo on the scale − this September afternoon it seems to weigh 10 kilos less than in The house –It involves more French technique, pleasure of the text, than the Actors Studio method. “In France, when it smells too much like construction, it doesn’t work. »
Rejection of dogmas
When asked about his ability to transition easily from a straight role to a gay one, the one who received the César for best supporting actor for 120 beats per minuteRobin Campillo’s beautiful film about the first years of Act Up in France, rejects any dogmatism. “On the screen there are important physical problems. At one point, it was important for trans people to play trans people… We would like minorities to be able to play everything, but not the other way around. It’s not possible and above all we don’t care! The important thing is the result… If we deprive ourselves of this fluidity, we deprive ourselves of everything, we deprive ourselves of Timothée Chalamet, of Paul Kircher…”
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