The revolt of David Broncano She needs to start being less unruly. The Audience Defender insisted on the program aimed at putting an end to the monopoly of Pablo Motorcycles on television evenings, to “eliminate drug-related jokes and puns” access prime time and to gradually improve the female presence, now practically non-existent, in the show. This type of content is called into question, as many viewers consider that it does not conform to what is expected of a public channel which must respect certain ethical and regulatory standards.
The RTVE hearing defender, Rosa Maria Molló, will have guests on its program RTVE responds to the content delegate of RTVE, Agustín Alonso, and to the director and executive producer of The revolt, Ricardo Castellawho is also an actor and screenwriter of the series. The two directors are committed to “adapting the content and language” of the program so that it adapts to the codes required in a public entity.
The commitment to modify certain aspects of The revolt This comes after several sectors of the public expressed concern about the quality of content broadcast during prime time, where the audience is diverse and greater responsibility is expected in the choice of topics and approaches. These initial changes will be key to determining whether complaints will decrease in the future or whether new problems will persist. The decisions taken by those responsible for the program are closely observed, given that the issuance of The revolt revealed tensions between public expectations and RTVE’s intentions to renew its entertainment offering.
Bat “El Hormiguero”
The contract that RTVE offered to David Broncano and the producer The Terrat broadcast the program The revolt In the public channel, the duration of the agreement between the two parties was reduced from three to two years, for a value of 14 million euros per season, or 87,900 euros per program plus VAT.
The contract covers two seasons, instead of the three initially envisaged, although the cost per program was kept at 87,975 euros plus VAT, bringing the total cost per season to 14.07 million euros. The first season would be broadcast in the access prime time and no audience minimum was set that would allow RTVE to cancel the program if it did not reach a certain audience share, except for the network average.
It was only from the second year, if the network average was not reached, that RTVE could transfer the program to late at night or adopt another solution by mutual agreement. RTVE could unilaterally terminate the contract, from the second season, if the program does not reach an average audience of 7.5% for four consecutive months. access prime timeor 8% in late at nightwith two months’ notice. These figures were lower than the audiences set at the time by the public channel. RTVE’s changes could only be made from the second season, which is unusual according to internal sources. If he didn’t get those hearings, even late at night, both sides would proceed with an orderly shutdown of the program.
