Eliades Ochoa: “In Madrid, I have fun, I get inspired; I wrote bolero to the sones”

Eliades Ochoa carries Cuba and music in the scapular of the most intimate and the most external, he acts like a Cuban, of course, the island shapes its men in a particular way and, perhaps because of the numerous trips across the world, the Cuban does not. has only one nationality: he also has a way of being. Look. In other words, Eliades Ochoa did not leave an ounce of Cuban along the way. Nor has he lost an iota of what the Cuban son meant not only in the most brotherly countries, like this paradise of the Antilles and transparent seas; also all this part of the world that exists between Ciudad Juárez and Ushuaia, as we have already written about another Cuban “settler” who found his place in the world, “Cubaning”, in Madrid. Cuba has a son, a guajiro son who wrote Santiago de Cuba in the last edges of his personality. We know that Santiago de Cuba is not Madrid, but, from the point of view of the soul, in many ways it resembles the words of Eliades Ochoa. In what has been shared, for example, which transcends language: perhaps a square, “Céspedes Park” where, under the Caribbean sun and other suns, the most common life makes its way with children towards a tropical or plateau sky, depending on the case. Related Standard News Si Salva Reina: “A man from Malaga is one of those who best know how to enjoy a city like Madrid” Jesús Nieto Jurado He has not yet lost the feeling of being a newcomer and is enjoying of what the city offers him in all its varietyEliades Ochoa’s memories of Madrid must be placed back at the end of the 80s, when La Movida was dying of success, and in this effervescence a man with the manners and type of East Cuban was walking through the streets of Madrid. It was the year 87. Or almost Latino Ochoa, yes. But a laconic Latin, Ochoa has some moments of empathetic silence in his conversation: sometimes, perhaps, unlike the jacarandoso Havana, he allows a long silence to complete his message. Then there is Madrid, where he arrived around 1987 after his stay “in the Canary Islands”, and then, now, this Madrid where he has little by little established the smile, the hat and the smoke of his “cigarette”. the public and the Paisanaje is the conception of those good people who mainly walk along the “Gran Vía corner with Fuencarral”, who recognize him, with his “lit cigar” and remind him of this or that concert. I love Madrid in its entirety, which is not very popular. The problems will be less problematic in Ochoa’s way of being. With the accolades that they are, fame doesn’t take away the fun of a group of people chatting calmly. This Sunday he is performing and will present a piece of Eastern Cuba in the Riviera Room, around 8 p.m., now that it is dark so early and it is cold and humid. Also know that Eliades Ochoa worked hand in hand with C. Tangana and modestly recognizes that the musician’s environment values ​​him. —He says he likes Madrid like that, all that, without problems. Let nothing break this love. But I encourage him to give me an answer. I say “Madrid” and it comes to mind…—The nights we played at Sala Clamores. Those evenings where, because of the number of people, we had to do two sessions in a row. And the people shouting “Eliades, Eliades, open the door…” – Madrid, with its businesses, is, like all the neighboring cities, a city where nostalgia can strike at any time. How does a Cuban manage such distance from the earth? — It’s true that I miss my people. But I sit anywhere, on Gran Vía for example, and many people who pass in the street talk to me, remind me of a concert, ask me questions about a new album. —What is this Caribbean capital?—Madrid has what we want to see as a Caribbean city. —Can you give me an example of this Caribbean spirit that reigns in this city? —There are many places where this happens. I live on rue Sienne. There, on Saturdays and Sundays, there are times when I visit with children and families, in Madrid, the Céspedes Park in Santiago de Cuba. And it’s true that there are a lot of memories that we don’t know when they arrive. — In music, in life… I feel that there will be a moment for which I will have a particular affection. — Here in Madrid, everything has been magnificent. Let the public sing my repertoire…—The public of Madrid, which is public and from Madrid…—It’s an audience that made me go home very happy. It led me to happiness. — The Community has approved flamenco as an Asset of Cultural Interest (BIC). Do you like flamenco? — Yes, I like him very much. — Have you traveled to the territory of the “duende”? — So much so that with Argentina, a flamenco, we made a song together. It was called “A bolero for you”. In these pages there has also been much discussion about a concept, initially silent, that many musicians, mainly from reggaeton, from Spain and abroad, then gradually established. It is considering Madrid as the epicenter, as the capital of Latin music. Can you give me your opinion on this? — This answer should be given by an expert. But for me, for Eliades Ochoa, what I know is that people gave me love at every concert. MORE INFORMATION news Si Enrique Gato: “When I saw ‘The Day of the Beast’, it changed the way I saw Madrid” news Si Antonio Molero: “In Madrid, and I think Napoleon said it , there is a step from the sublime to the grotesque” —You participated with C. Tangana in the song “Dying of envy”. — It was quite an experience. It’s not right of me to say it, I don’t want to be arrogant, but I know C. Tangana’s team was delighted.—So many years in Madrid, what does that mean for you?—I have been in Madrid for many years since I signed with Virgin Records Spain. It marked my life in many ways. I like to walk through its streets and share with dear people who have welcomed my music in a very close and warm way. In Madrid, I have fun, I get inspired. Here I wrote many of my songs, from boleros to sones. Without a doubt, Madrid has marked a part of my history, and I owe a lot to it.

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