IN Golden age (1873), one of the characters of Mark Twain and Charles Dudley Warner saves an article in the press, which states that the story is not repeated, although the “kaleidoscopic combinations of the present” usually look like the daughter of “fragments of ancient legends”. For some reason, someone dared to this issue and said that Twain wrote that Rhyme And, since there is no traffic jam that does not swim, the false purpose was in the chapter of half of humanity. But its content, so the debtor of Marx Louis Bonaparte Brumario (1852), this is right: to be the same as we are the same species, and plays, since everything plays in the same boards – sub -sore, money, love and little – a strange thing is not to rhyme.
Sometimes these rhymes are presented with the mask of random and organize the “chains” from which Stanislav Lem spoke in Chance and order (A resident of New Yorka1984) And, for example, sometimes they act in the same way as on the plot, background and metric repetitions of Virgil in Eneid That you will never miss authorship and reward their fate, universe or God. Most of all we adhere to the only Goddess Undeniable existence, the favorite of almost all classic authors, no matter how believers are: luck, luck; And, of course, we are not trying to reveal his hidden or imaginary laws that Paul Aster elegantly summed up in the name of one of his works: Music of chance (1990). Bone jogging is a circulation in the bone; Especially if it is foreign.
Today, July 6, the anniversary of one of those chains of the coincidences of LEM is executed. In 1957, the Karambola series forced the very young John Lennon to meet with the very young floor of McCartney in the Church of San Pedro de Wulton and invited him to join his group “Aggle Career”, to which he joined the young George Harrison. At the moment, no one can deny that this meeting has revolutionized more than modern popular music; But there is less about another revolution, which, of course, was a direct consequence of the Beatles Foundation: the one that began with the premiere in 1964 – also July 6 – a film Hard daytime nightDirector of a fan of Francois Truffo and Jean-Luka Godard, from whom he took several ideas: Richard Leicester.
The work that was presented that day in the London pavilion was not a ribbon for use, but Amalgam of all previous methods of directing rock films and, at the same time, a break with all of them. The difference with what was done in Hollywood cannot be more stable; The ideology of American cinematographic Mecca forced her to return her back to 1960 movements Long Las Vegas for a long timeNevertheless, Lester was not subjected to this corset (he moved to England in 1953) and played his cards in such a way that he definitely changed the style and narrative of the genre and laid the foundations of musical video.
Now there was a lot of 1964 Show TamiWhose list of translators and groups is not wasted: Chuck Berry, James Brown, Marvin Gay, Supremi, Smokey Robinson and Rolling Stones. With his team of the television program, Steve Allen Binder transformed the whole concept, Modernized technology and opened the path where they later set off Woodstock (Michael Wadliite, 1970) as long as Stop making it makes sense (Jonathan Demme, 1984), from such roads as Light racer (Dennis Hopper, 1969), Screening rock horror ships (Jim Shaman, 1975) and Wall (Alan Parker, 1982). Everything that is perceived for granted in this sector, one way or another, is the son of Bender’s innovation.
To understand what we are talking about, the director was looking for a couple of relevant things; Firstly, the audience was a character of the show, as in a real concert, and the second, which could “see sweat” on the faces of the artists, which implied a “certain placement of the camera” (Mojo Magazine2003); But “Cinema Boys” said that “I could not do it on the big screen” and, as for the producers – in this case, NBC – hated a simple idea that the armpits of the singers were not perfectly dry. It is currently difficult to believe that this can be so “midfield”; In fact, it is possible that, I have not seen and did not hear the minimum that should be noticed and heard, takes into account that in our time there is an excess of the opposite, not realizing that the commercial space is undermined by the subversive spirit of 60 and 70 in a constant imitation of imitation: in a repetition of history as a farce.
“Everything flows,” said Heraclitus (according to Plato). Where it flows, this is a question, and since good luck and coincidences, it would be almost a sin that did not mention the main joke of filming Show Tami: In the same way, the unimportant detail of James Brown to act before the then unknown stones and took the cat on the water. Mick Jagger, a great fan of Brown, learned a lot that day. The stones were the same as they did not give the same circumstances? May be. Would there be Beatles without a meeting of Wulton? It is hardly. Will he shoot Hard daytime night There is no album with the same name? It is unclear. Nevertheless, luck is not in everything, as Manuel Besuro pointed out The resulting moral philosophy (1682) When writing this “Virgil, reading Annio, took gold from manure” and that others, “reading Virgil, took out a golden manure.” There is not even a blow of miracles.
