After his lack of lenses in the lights of about two years, and his choice to stay at home in order to enjoy his life with his family after reaching the eighty -fifth year, the great Egyptian artist again returned to the circle of public interest after the recent picture of his family on the occasion of the marriage of his grandson Adele.
Despite his absence at the wedding ceremony, in which the stars of art and the media took part in Egypt, on Friday evening, and the questions that this absence exploded after the spread of many rumors and news about the decline of his health from the age, his new image left the “positive effect” in the hearts of his fans and fans, and some considered him a “message of confidence” about the state of health and “smart answers” to the recent ones collars.
A large number of artists and followers celebrated the appearance of the “leader” and again expressed their happiness on their vision through social platforms, including the artist of Yusr, who wrote through his official story about “Facebook”: “I congratulate my great and great love, Adele Imam and the beautiful Hala on their grandson al -Sagir, and congratulatory and congratulatory and congratulatory and congratulate you, and in the “Sweet and Sweet and Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “Sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” and “sweet” Glory ”and“ Glory ”and“ according to all life.
The Turks Al -Sheikh, the head of the general entertainment power in the Kingdom of Saudi Arabia, also reprinted the image of the “leader” through his account on Facebook, commenting on: “Habi Abu Rami Mabrok and rejoice in his children, God wishes.”
The Egyptian director Omar Abdel Aziz also called the picture as “the happiest millions.” Hundreds of followers in the photograph expressed phrases showing the “great love” of the Egyptian artist, and “longs for seeing him again on the screens,” and returned part of his famous cinematography.
The artist Adele Imam, who was born in 1940 in the Gormania of Dacaly (Egypt Delta), is widely popular inside Egypt and in the Arab world, and he expressed his pride in this “widespread popularity” in previous television collections, and the imam was able to make a distinctive “imprint” in which he loves.
Imam began his artistic career in the presentations of university teams and joined the theater television group in 1962 and presented the role of “Desouki Effendi”, in the play “I and it” with Fuad Al -Muhandis, and he reached a wonderful glory for this role and transferred to the cinema with little role in the same year, when he became one of the first -one of the first -in the first time, in the first time. The “first” style in “Standards” on the same year, when it did not become one of the first -class in the “Standards” style, and “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” in “Standards” when he became one career, he presented more than 100 cinematographic films and 11 plays on television.
His films were classified by The Wallet Maaya, 1978, “Avocato” of 1984, so the smoke does not fly ”1984 and the Jacobi building of 2006, among the 100 most important films in the history of Egyptian cinema in its first century in 2007.
A series of art confirms that the “leader” has a unique talent, and the smart artist added to the value of the art of cinema in Egypt, after he was able to develop from the role of Al -Sunaid in a number of films, until the first network star has become decades to diversify his roles and accurate and smart elections for social problems.
The writer and artistic critic Mohamed Refaat described Adele Imam as “an artistic phenomenon that is not repeated and will not be repeated”, and said in the statements of “al -Shark -al -Ausat”: “His films summarize Egypt over the past quarter, since he succeeded in the fact that he was rewarded and he became in this career and he became political and political and became political and political and he became political and political and he became political and he became political and he became political and he became political and he became political and predicted, and he became so important as he knew that he knew that he knew that he knew that he was in the way, and he was in the way, and he was in this career, and he was in this career, and he was in this career, and he was in such a most important career, and he was in such an important career in which he became important and he became so important and he became so important and he was so important A career in which he became important, and he became political and representing in himself. (terrorist), (terrorism and barbecue), (al -Mansi) and (al -harif).
The Rifaat believed that “the intelligence of the imam and its wonderful presence and without causing professional crises with his colleagues are one of the reasons for his stay at the top for four decades, explaining that he is the only Egyptian artist who works as a hook for new heroes, since he was ordinary in the cinema market and is involved in this case with the deceased great artist Fatten Hamama.”
Just as the leader was able to “export the positive image of his relationship with his employees”, according to Rifaat, he also did not create family crises, such as those that were considered in the media, where facts of divorce, multiple marriage and repeated family problems, moved away from the center of attention and lived like any authentic Egyptian family. “
