under the Juan Bravo Bridge The masses were descending towards who knew where. To where Hispanidad began in a big way. Towards the Puerta de Alcalá, where Manuel Turizo played, placing his Hispanidad of the Mexican Caribbean in the Plaza de la Independencia. The Puerta de Alcalá, in the background, covered by the stage and the speaker greeting the first.
The crowd became a crowd, in fact, in the street of the same name without the monument being seen: there would be time for architectural culture. Manuel Turizo brought together the “congregations” tending towards the “unimaginable”, the maximum, and among the police, we saw that security came first. This is how it happened manage the crowd. First, police work was discriminated against, with various filters that, in the storyline, were logical and understandable. Vicente, on a terrace overlooking the Alcalá gate, watched, barely trained, while drinking a coffee with a few carbohydrates, “the multitude of people”. A lot of it was going to be reggaeton, bachata and merengue.
Luis Alfonso in Alcalá
I didn’t know that a few meters back there was a representation of flags of Hispanic America. As in everything, each performance has its first act, among which Luis Alfonso, lifting up the audience lost at the junction of Gran Vía and Alcalá, and which continues still. Even if the public was going about its business, it was the place and especially the acoustics. The charm is in the previews, and a recording of Rauw Alejandro He has already made the situation respectable. Let’s talk about what we mean by “virtual opening act”. And so “influencers” passed by here, Jordi Ruiz“influencers” and other idols of youth, this is how they approached the front line of the public with sympathy. With regional hats and more flags remaining unfurled as the stage filled with life. In a promotional video they appeared The Sabandeñosand there was some timid, wistful, insular applause.
Before Karol gin an engraving, the “muse” of the nights around the Bernabéu, had already brought the crowd to its feet with “If I had met you before”. And he put it on. In the distance we could see a Municipal Police officer measuring the decibels with commendable obstinacy.
Manuel Turizo’s Hispanidad concert at Puerta de Alcalá
The fact is that if first the artist Soley He was already raising the temperature with his way of including Chile in what we can consider, “roughly,” Latin pop. Kapo has already announced what will happen. He was going to sing and he sang Kapo‘Ohnana’, ‘Uwaie’. And there was even a justification of art as a cultural luxury of neutrals in the poet’s words: “this love against gossip” was launched by the last opening act, Luis Alfonso, with Los Señorazos, asking without asking candles if there were candles. candles. The Colombian corrido, which exists, and which asked for passage, saying goodbye as only the cowboys of the ‘llanera’ savannah know how to do.
The jacket
Another “influencer” had entered the scene, Marta Diazasking to make “all of Madrid” appear on the networks. And the “all of Madrid” who greeted him responded. And what about Manuel Turizo, with his shiny jacket, his shorts, his ties and an air of schoolboy, even bullfighting, in his clothes. It started late, getting noticed, maybe in the distance I saw a hole at the bottom, in the Metropolitana building. Even if people were already enthusiastic in the etymological sense, with God inside, and for example, Anneof Bolivia, with its shields and even the flag of the Santa Cruz region, revealed, amidst the thunder of the loudspeakers, “that it is a day to celebrate”. The sign of its plurinational flag is therefore the same as its relative inopia.
The concert started about twenty minutes late, of course. Madrid were at their wits’ end when this was announced to them. Going, seeing and succeeding accompanied him. “Vaina loca”, the festival was already starting. With the dancers mentioned above, a concert is not a list, but details. This is how Turizo burst in with “crazy pod”, among many smoke shows. The fans warned him from the start: “He’s not going to stop,” and he didn’t stop.
Manuel Turizo’s Hispanidad concert at Puerta de Alcalá
Hispanidad was more or less a concept that Nebrija took to its highest level, and it is something that is complemented with Turizo’s music at this moment in history. We played songs, “La Nota”, “Copavacvac”, until on an unknown theme, with the Venezuelans Mau and Ricky The Caribbean country was honored with a microphone that sounded louder: and that’s a fact. It looked like Turizo, the one from Madrid that says it all.
Álvaro kept moving his bracelet and the Madrid sky didn’t even spit out a drop and a half. The scene, because of a “sound of fire”, according to the audience in the fourth row, went black. Nothing was happening. The lights and the artist worked. Shorts, yes, and a tie, and a jacket that he took off during reminders that didn’t exist.
Hypasmos9
Turizo knows Hispanidad. Also that the flags behind represent a universe. This is why he also wanted to highlight among “his people” the moment when the microphone was used for much more than just singing. Outside the VIP area, Gustave, of the DF, had obtained his point of view in Alcalá Street: “For Hispanicity it doesn’t matter”, causing a certain surprise.
Kapo, meanwhile, also debuted “Uwaie,” with “Qué pecao,” in a healthy apology for Colombia. It highlighted a poster of a woman from Girona, he didn’t want to stand out, but his message did: “531 KM. for a photo with you. Next to it, in an almost silent dialogue, Vanessafrom Gallipoli, Italy, showed his banner on his cell phone. He prayed thus: “From Gallipoli, in Italy, only for you”, followed by a litany of “guasap” icons that the artist was not going to see even in his most contrived myopias: he had written it in phone.
Manuel Turizo’s Hispanidad concert at Puerta de Alcalá
On stage, among the guests or not, Turizo let his music overcome all obstacles. Yes, the bailongo chorus didn’t stop. The drizzle was already coming, timidly, and no umbrella was opening. pink Lola Indigo at the tables, and the crowd went crazy until the zenith. This is how things should stay. More than an hour and a half during which Turizo had time to announce a new job. Everything ended with a merengue rhythm. Daytime security avoided groupings. The screen has failed several times, but it’s all down to the laws of physics and positive ions. In the strength of Hispanidad.
After the concert, you had to listen to the Italian’s reactions: “Impressive, even if in Italy I saw it up close.” La Hispanidad is Italian and sends a message to Turizo: go further for “la Bota”.
