The Joker returned to theaters on October 2. With its orange and blue contrasts, green neon lights, a greenish Gotham… the first part released in 2019 had already marked its extensive use of color. This work earned the film an Oscar nomination for best cinematography. Joker: madness for two continue this exploration. At a time when Hollywood is going crazy for desaturated images, Joker by Todd Philipps make color a key element of the narrative: it helps tell the complexity of a character who struggles with his identity.
This narrative use of color, cinematographer Vittorio Storaro (Apocalypse now, The last emperor) made it his trademark throughout his career. His work inspired a generation of filmmakers, including Lawrence Sher (Joker AND Joker: Folie à deux).
For the worldThese three big screen artists reveal their vision to us, on video.
The contributions area is reserved for subscribers.
Subscribe to access this discussion space and contribute to the discussion.
Contribute
Reuse this content