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“I never imagined that Íñigo Errejón would resign”

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“I never imagined that Íñigo Errejón would resign”

Cristina you will fail He presented his book this Wednesday in Madrid “Don’t publish my name” (21st Century Publishers). The text includes 1,500 testimonies, from more than 750 women, on the sexual violence suffered over the years. Without the names of victims or executioners, the union of stories attempts to be, according to the author, a “collective memory”, the women telling what happens to them.

Among the heartbreaking stories, many tell episodes suffered in childhood. The journalist encrypted them more than 70%. Furthermore, they recount episodes not only that occurred in the most family and private setting, but also those that occurred during medical consultations or at school.

The author clarified that “it is not usual for a book to call a press conference. Give importance to compilation“. During the presentation, to which many journalists gathered, the communicator explained that the book is not about accusing anyone, but about the ability of women to count themselves and establish themselves. “what is sexual violence” in its history.

The book, which was to be published on November 25, anti-abuse day, made the front page of many newspapers before being presented due to the resignation of Iñigo Errejón. The one who was spokesperson for Add in Congress, he was recognized in one of the articles published on social networks by Fallarás and he resigned from his position a few weeks ago.

Fallarás assures that this was not the intention of the book. Questioned by the journalists present, he admitted that “he could never have expected that Íñigo Errejón would resign” because of these testimonies. “There was no intention, even if it happened”. Recently, Fallarás’ testimonies also allowed women from Granada to confirm what happened during different meetings with the rappers Ayax and Prok, to whom their agency management Their contract was terminated because of what happened and Wizink canceled a concert for them.

The author assures us that we must differentiate between story and “complaint”. “It’s not journalism, it’s not a denunciation, it’s a construction of collective memory for the record,” he assured.

The publisher of the book, Emili Albi, He assured that in the book there are “neither names nor initials. It is a repository of collective infamy. It is an invaluable tool. It is a historical document which will bear witness for future generations”.

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