When they ask Alfonso Kuaron, director Rome or And your mother, too, For films that most affected him, he usually mentions Open mouthMaurice Pialate. Damien Shazel, author of the director La la Land And Knich, does the same with Our love Also from Maurice of the bowl. For many years, it is usually to find great authors who claim this French director, who, however, remains almost unknown in Spain.
It seems that for decades, all the author of the author, who arrived from France, was those who carried the seals of the vague, and that under the shadows of Godard, Truffo and the company there was little space for other directors, such as a bowl, whose life, awkwardly and modern cinema won his country, but it was difficult for him to leave on the street. If in the USA these are names, like the names of Kuaron or Shazel, who claim a bowl, here are young directors, such as Iona or Elena Lopez Riere, who always remember him.
It was the directors who presented the PIALAT “Restored Films” cycle, which will be seen in the Spanish cinemas thanks to the work of the atalance distributor, which, since they discovered at the beginning of the new millennium, the work of this director (which died in 2003), it was clear that we had to try to apply for him and bring our titles to Sange. They finally achieved this in the act of radical support of the author of the cinema. Both John Pipe and Elena Lopez Riere coincide with the fundamental characteristic of PIALAT, and this is a “living movie”.
For Lopez Riere, the most relevant cinema of the bowl is that “he does not judge his characters, they have violence and love in equal parts,” but, first of all, he emphasizes that for him the film is an organic process in which the script can be changed, improvisations are introduced and even the film time, as happened, as happened in the scenario. Our love“.” It is lost. They are increasingly asking us to control, write and count. Remember that the cinema was once this alive WaterQuestionnaires
This ability to feel “alive” is that Jonas is a pipe from a director with a “stunning and complex personality”. “He made few films, all impressive and everyone creates discomfort … He is a teacher of movement, actors, he is surprised in every plane. This is one of the most modern filmmakers in the history of cinema. There is also a lot of time, but you look at it today, and study on many things relations, production. These are unbearable, violent, violent, even for violent, in fact, even in fact, even in fact.
Kanss in Cannes
Many kinesuhils will also remind Maurice Pialat for the fact that he starred in the fact that he is probably the most controversial golden lay in the history of the Cannes festival. It was 1987, and the PIALT presented his adaptation of Roman Georges Bernanos, Under the sun Satan. The critic was very cruel to the film, and few people believed that he could win, but finally, the boway took his palm. When he got up to pick him up, the audience began to rise, to which he is the director, neither short nor lazy, replied: “If I don’t like it, I didn’t like it either.”
With our love, he managed to catch everything that happens in adolescence. What stumbles on you, uprising, love, uprising against parents … this is outside of time
Silvi Pialate
– Manufacturer Maurice Pialat and widow
The widow of Maurice Pialat, Silvi, also came to present the cycle in Madrid. Currently, at present an important producer in France with Les Filmes du, recalls the first person what happened in these Cannes. They already turned because they did not suggest that they were going to win. They had dinner in Marseille. “Then there were no mobile phones,” she says that it is understood that in a practical act, the film manager gave the restaurant number to the festival in case they finally received any prize. “He was young and romantic,” says Silvi Pialate.
“Suddenly they called, and we had to run again. We have changed in the parking lot Black eyesNikita Midzhokov and Mastroianni, who starred in him, already had a prize for the best actor, so we thought they would be a palm. They were the last two awards, ”recalls the bowl, who assures that Maurice has always been looking for a lot, what he said, but at that time,“ for the first time in his life, the phrase is so good so good. “He does not believe that the dispute, the phagocyting film, on the contrary, explains that on the way back in Paris people recognized them and raised their fist in victory.
Although many journalists are considered provocative, Silvi Pianate completely throws it and says that this is what, as they say in the press, but even spectators see it in this way. He is glad to see young people find the Maurice cinema and excited. That is why he emphasizes that one of the characteristics of his cinema lies in the fact that “he was interested in all stages of life very horizontally and talking to the hearts of people.” “WITH Our love He managed to catch everything that happens in adolescence. That you are bullets, uprising, love, uprising against parents … It’s outside of time, ”he appreciates, and with irony says that many spectators when they find that their cinema thinks that he is a modern director who is still alive.” They do not understand why they saw all the films about the vague Nomel and did not know the cinema of Maurice, ”he adds.
As a producer always looks at Spanish cinema. Participated in names such as WaterIN You will return or The robot dreamsHe says the questionnaires that he looks at the directors, and not at the scenarios and indicates the time that can be called up even for the reasonable French cinema: “Canal Plus gives less money in the cinema, and the platforms are required to put money, but they are not interested in the rooms. They are not their goal. The cinema is always fragile, because many prefer that it was a minister who would be in accordance with this.
