“Ibn Meng in them” unites Lyla Elvi and Bayumi Fuad for the fifth time
The artist, Lyla Elvie, began to shoot her last film “Ibn Man in them”, which unites her along with the artist Bayumi Fuad in the fifth work in the cinema, after they created a successful duet of cinema through their previous films.
The cooperation of Lyla and Bayumi began in the film “Pregnant Mom” in 2021, then “Chaujir Dadi” 2023, “Toxic passive” 2024 and “Al -Mustara” 2025, and these films were collected in its events between the comedy and the social problems that the couple, such as “average age”, “face” in the “middle age” in the “person”.
They also dealt with the paradox of their wife at a time when her children became a marriage, as in the film “Mom Pregnant”, or the family enters to ruin the marriage of her son after choosing a bride, which does not attract her parents, as in a “toxic passport”. These works achieved mass success, which was a motivation for the constant cooperation of their hero.
On this “kinematographic duet” with Bayumi Fuad Lyla Elvie said that the audience loves them together, and that they are striving to fulfill different stories and new roles in every work that unites them, according to the previous statements of “al -Shark al -Ausat”.
While Fuad said during the show of their previous film that “there is a chemistry that Blaila collects, and that their success confirms the audience’s love for them and their roles together”, wanting to continue cooperation in other films.
In his new film, Ibn Meng in them, Lyla Elvie embodies the character of a lawyer Magda, who is serious and strict. Thanks to her work, she meets the reckless businessman Rushdi, whose role is played by the artist Bauumi Fuad, who is a multi -sign, and lives his life without real obligations; Where he helps him during the search for his son.
Funny conflicts and comic situations spoke between them, revealing various aspects in the life of Rushdi, and the film raises questions about relationships and responsibility, as well as a film shot by Hisham Fati and written by Luay al -Said, who wrote the first 3 films that they collected and shot by Mahmud Karim.
Luay El -Saeed believes that “the success of Lyla Elvi and Bayumi Fuad as a technical duo reached the first for artistic reasons, especially in their view of their roles,” adding “al -Shark al -Ausat”: “High incomes achieved by previous films for Duo are a guide to success, and evidence of the love of the audience for their Successful, and not in what they lead to put out in one success, and also indicate how they are included in the film, and not in the promotion.
Having written films, especially for them, he says: “At first I wrote the first film, and their choice was a sentence between production and directing, but in some films I wrote, and, in their own way, they were a hero of work, and this is easier to write; Because I add from the soul of each of them to the role. “
“I like this artistic duet, and I strive to put them in good roles and in history that resembles people, representing a social problem that emphasizes the importance of the family, and the film should have an indirect message to the audience, which affects and uses it.”
He continues: “Lyla Elvie is an excellent actress who adds to each role that she plays, and she has a strong presence on the screen, and she plays various roles, and Bayumi Fuad is a diverse artist and one of the few who managed to unite comedy and tragedy.”
The first 3 films have achieved success at the box office of Saudi Arabia in a wonderful way, and, according to Saudi critic Ahmed al -Eyad, “dualism (Lyla and Bayumi) is considered one of the funny paradoxes in mass cinema, especially in Saudi Arabia,” adding to Aucark -Aus: “Among the most popular names in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are films that have wide names that in films that have wide Tishas in films that in films that have wide Tishas in films that in films that get wide Tishas in films that get wide Tishas in films in films in which films in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are in films that are In films that get wide Tishas in films that in films that get wide Tishas in films in films, which in films get wide Tisha in films. years;
Al -Ayad promised that the continuous public presence reflects the existence of a mass base that loves this composition together, and if each of them presented the film on its own, he will not achieve the same success. “Al -Ayad believes that when repeating their films, legal issues arise about the development of the stories that they represent, and if these films are already built in a strong scenario or whether the bet is limited by the presence of chemistry between the two stars. Al -Jad returns and shows his optimism that, ”their new film is a good opportunity that is not capable, and does not raise that it is not in the sense that it is not in the sense that not in the sense that it is not in the sense that not in the sense that not in the sense that not in the sense that it is impossible to say that it is impossible, and this is not in the same sense, and this is not in the same sense, and this is not in the same sense, and this So the ability. Depends only on a quick joke. ”
Lyla and Bayumi participated in 5 other works of art, including the series “Bint from Shubra” 2004, “Hala and Al -Mustakhby”, in the series “Tales and Live their 2009, and“ She and Da Vinci ”2016, in addition to the“ Red Fund ”and“ Mushira al -Khatir ”in the season of Riyads.
Throughout its history, the Egyptian cinema showed successful duets, such as Lyla Murad and Anvar Vajdi, Kamal El -Shennavi and Shadia, Najlaa Fati, Mahmoud Yassin, Nur Al Sharif and Mervat Amin and Adele Imam and Yusra.
