And although Revent is mainly an underground parking lot with a residential area, the original is a powerful Renaissance building since 1592, occupies a “museum bread and art – the Welnutrung forum, which is reduced as a“ museum of bread ”, sometimes even a small scale in the“ Ulm -Caliber Bread Museum ”.
Unjust practice. Because the house is an institution that does an excellent job based on a collection of more than 10,000 items and fearless enough to plunge into the struggle of today’s cultural struggle. “Crazy for meat” was the name of the Exchange exhibition, which was simply finished.
An unexpectedly difficult topic
Urgent and multi -level theme -here. In short, a mental jump from bread to nutrition, very charged, the question of who determines, for example, about seeds, prices, type of use of areas. Different views and interests are faced with documentary (video) installations on the top floor for “future power”.
Genetic engineering in agriculture, “fair world trade”, “logic of money” and “seeds of tomorrow” – this is only a separation of more than 20 subject areas. The agricultural culture is colorful – at least where the seeds of the influence of corporate power, agricultural industry, the association of farmers and the like have not yet risen completely.
SpecialityPassion for visual art is served in the same way as other very different disciplines: from the history of technology to philosophy. Thematic islands form a network that connects the different content of the exhibition with each other, and stimulates associative links and jumps in thoughts. In short: the concept of the exhibition retains a shocked measure of openness for the eyes of the audience. And not only for the eyes: all feelings are considered. At special exhibitions, individual topics are even more deepened and branched.
Target audienceEveryone who loves is encouraged to expand their own horizon of experience. There are their own programs for children. Just use one of the accompanying programs. Of course, everyone knows bread. But the levels of the value behind this are still too often unknown.
Obstacles on the wayOnly very small. The main railway station is a ten minutes walk, the parking garage “Saltsstadat” next to it. Only when traffic jams are again declared in the center of Ulma, can he take for some time before you get out onto the car.
Therefore, the horizon of the object does not end on the boundaries of Ulms or Germany. In any case, you should take into account enough time for visiting, because there is a lot to see, read and hear a lot. The works of fine arts form one of the nucleus of the collection, often by rank. One of the specialties of the house is that it is also equipped with special shows with those, primarily with modern positions. This creates friction and opens up further prospects. More recently, Maria Fogelwang proposed vegan alternatives from invented animals, and Hartmuth Kulet had animals and people in his utopia.
Call stem
Bread is a human gesture, “to challenge the moody gods and complex nature. He forms them together and culture, as we know them, ”the house presented his own program. Visitors go to baking rooms and in laboratories, encounter advertising in a permanent exhibition and with theological positions, with industrial products, as well as with pleasure.
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She justified the manufacturer ULM. Willy Eiselen (1896–1981) built a company for baking and nutrients in the collection of art and cultural history, which he introduced since 1960 under the name “German Museum of Bread” on a smaller scale. His son German Eiselin (1926–2009) followed his financial fund also remained stable thanks to the fund of his father and son Eiselle, who was launched in 1978.
From Ulma to the world
The protest was cruel when the newspaper wrote (and not always by chance) from the ULM Brot Museum. Even the youngest claimed a “universal meaning” for his home. Only the change in the central place and the next era after ice opened new freedom for the home. He marks the “Museum of Bread Culture”, and then again meet the expansion of art.
Saltsstadel, on the other hand, is the city historical, it belongs to a series of buildings of the stadium, which free Reichsstadt bought in the 16th century for storage during the war and as a weapon. Several halls, the lower ones, are played out with the storage facilities of Cross Ridge, the upper part in half is a dummy stand. Tuscan pillars of houses are an early form of longing for Italy. The second fund eaten by Eiselen assets, Fiat Panis, strives for research to improve world nutrition.
In Germany alone, there are four more museums with this focus, among which the “European Museum Brot” in Eberchena is crowded forward. Ulm said goodbye to this courtship process, only gives a short request to the way home: “Do not call me Brotmuseum.”
