The programming of new series of recitals and chamber music for the 2024-25 season of the Miguel Delibes Cultural Center, includes ten recitals from September to June next year, with first-rate protagonists such as flautist Emmanuel Pahud, violist Antoine Tamestit and harpsichordist Mahan Esfahani. The Vice Minister of Cultural Action, Mar Sancho, and the new artistic director of the Castilla y León Symphony Orchestra, Lucrecia Colominas, presented their content this Tuesday in Valladolid.
The program is, according to Sancho, “a proposal of ‘delicatessen’ chamber music”, which brings together “artistic excellence” and “great stylistic diversity in repertoires”“We offer quality programming, in a reduced format, to bring chamber music closer to all audiences, not only at the CCMD, but also in other spaces of the Community,” he stressed, referring to the fact that two of the recitals will be part of the programming of the Soriano Musical Autumn and the Liceo Theater of Salamanca.
For Colominas, “chamber music is such an intimate space, with such proximity to the musician and the work, that it is irreplaceable.”Chamber recitals are the moment when you can see the artists in a very, very vulnerable way.and check their mastery of the instrument and the piece,” he assured.
In statements collected by Ical, the Argentine pianist and cultural leader praised the programming designed by her predecessor in power, Jesús Herrera, and described it as “admirable” and “exceptional work”, because features “incredible variety” and collaborations from top international artists“Chamber music is the most user-friendly gateway to the instruments that we then find in the orchestra, it is a unique opportunity for a first approach to concert music,” she noted, confident in the fact that This programming can attract new audiences to the room.
For the vice-advisor, this program aims to “meet new challenges with the commitment of to maintain the highest artistic level and bring classical music closer to all audiences“In this sense, he highlighted the collaboration with “reference centers in the field of classical music diffusion”, such as the National Center for Musical Diffusion, Inaem or the Juan March Foundation.
