In the middle of the episode 1 thought: in fact, this sequence of columns can be written as a continuation. Thus, as a continuation of the previous edition through the internal power of the female house from Dortmund a month ago.
At least, thematically – because otherwise nothing can be more than a series of crime Nusland “Lake” Jane Campion from the armpit of Brutova, cruel men in a caffe on the southern island, surrounded by mountains, lakes, even more mountains; Currently sees in the ARTE media biblioteum, also in the original.
There are series that are so amazing that they leave an indelible impression. “Top of the Lake” is part of this – from the author and director Jane Campion and the leading actress Elizabeth Moss. And both seasons.
Of course, it would be completely disproportionate to place all 13 episodes for this delightful small column again. But three or four episodes of the first story are enough: the impression confirms at that time. It is not surprising that, according to the New Zealand TV Production series, were suddenly seen at the international level (do not forget, Netflix began only in 2013, 2014 in Europe).
People can show themselves
The 1st season spreads his attention around the disappearing, pregnant 12-year-old thuja Mitchham and detective Robin Griffin (Elizabeth Moss), who is at home due to her inconspicuously sick mother. But there is a center where everything and everything that seems to be magnetically found again and again: a rusty and colorful settlement of a container in the middle of nowhere on the lake-group of life from beaten women around the uncompromising GJ (Helen Hunt). Tui also gets here before she disappears.
The fact that this 12 -year material seems so constant fresh is associated with the narrative style: Campion (who wrote both seasons together with Gerard Lee, led by Cart Davis and director Ariel Kleiman) leaves space and time. None of the scenes are crazy. People can show, react, be part of their environment. And thus tell us more.
On the other hand, an incredible ensemble is going to “Top of the Lake”: Helen Hunt, who is difficult to recognize as a hard white epicenter of a female group. There is Peter Mallan (Tuis father, criminal) and Robin Malcolm (one of the women), two new Zealand, acting (recently as a couple in an incomparable series “after a party” in relation to cruel treatment of children).
And, of course, Elizabeth Moss. When she was in front of the camera in New Zealand, she was Peggy Olson in the Madese, long before the adaptation of Etwad’s “The Tale of the Handoire”. Yes, this is a dilemma to see the actress who has been in scentology since childhood and still fiercely talks about this criminal, inhuman sect in such roles. And, well, well, it cannot avoid: no matter what scene, it plays brilliant, stands behind her characters, and does not dominate them.
According to the latter in episode 3, its strength can no longer be denied: when the own story of Robin, Peu -Poe, is revealed how her injury moves her, between discontent, distrust, persistent. I am looking for a Tua.
